Monday, 8 October 2012

Causing offence and where to draw the line


ITS good to be back. Now...
Regularly I read the Guardian Readers' Editor's column and I have done so since the very first – Ian Mayes I think - was appointed many years ago. Today that editor is an old but brief acquaintance from my own Cambridge (newspaper not college) days, Chris Elliott. And today he drew attention to a problem that I think is to a degree specially difficult for the Guardian: Where to draw the line or whether it should be drawn at all.
Now the editor deals first with an area where the Guardian does have rules – good ones – but which are too easily and perhaps too often broken: when to use the f and especially the c word. I shall return to this later but his further points concern a more subtle but more hazardous area which arose most especially in a q and a with Peter Tatchell. I have no desire to repeat the words used – suffice to say that in response to a question about embarrassing moments Mr Tatchell, an honest and open homosexual, made what was a funny but extremely ribald, not to say vaguely disgusting, joke at his own expense.
On another page of that weekly magazine the Guardian reported on the booming sales in vibrators and illustrated it with a series of example devices and a graphic hand drawn sketch – straight out of The Joy of Sex book I think. A reader had taken Mr Elliott to task and he had in turn sounded out, as he often does, his Guardian colleagues. Some 25 responded and half said the paper should be tougher and use less graphic material. For my part I found the Tatchell joke unacceptable as published but the vibrator article socially justified and the sketch frankly quite charming. But I am 69. And therein lies the complaining reader's real issue.
For the Guardian may be a very sophisticated and intelligent newspaper (well I think so!) but it is entering the homes of its readers and is thus generally available to all. It goes into schools too. There is no firewall, no security device, no warnings and no effective parental controls. It is NOT even the internet, you might say. It does serve a specific audience who may well be seen to be, and by survey shown, as more urbane, better educated and more liberal (small L!) but they have children. And the Guardian's interest in these 'young readers' is shown b y their education posters and the like.
The Guardian's rules on the f and c words and similar matter is simple – if it is made necessary as the the result of reporting things said, events unfolding, if evidential or otherwise critical to the public understanding of a report the words should not be obscured but used as presented. This does not however explain or excuse their gratuitous use by columnists or in other writing. But if you quote from, say D H Lawrence, then the f and c words in particular may well be used to ensure appreciation of what is written and what response it may have caused. Does anyone however need me here to use fuck and cunt to make this clearer? I think not.
I paraphrase but that's the gist of the rules. It may or may not explain why the use of such words in the Guardian should have grown so steadily over the years. If life imitates 'art', or the media in this case, the answer is obvious. More use means more imitation and higher social acceptance.
Another argument is that ordinary people say these things in their ordinary lives. But this is weak argument. These same people say a lot too that is gibberish and does not deserve of repetition. Because a word is coinage in a playground should not elevate it to the columns of the Guardian, thought it may justify its sparing use on stage or in front of the camera.
And so the Mr Tatchell's crudely scatological joke. It was a q and a so we had the simple question, “What was your most embarrassing moment?” He responded that it was “mistaking a sachet of shampoo for lube when having sex.” Didn't we laugh! But there was another line and here lies the problem: “His bum was blowing bubbles for hours”, he said. Too much detail mewonders?
Well here's the thing. The editor might say that without the second line Tatchell's sexuality is unclear. True but it is not relevant to the embarrassment factor. It would have been the same essential outcome whatever his orientation. But the readers are GUARDIAN readers. We can safely assume that in excess of 95% will KNOW Peter Tatchell is gay (and the other 5% need not be woken!). So here comes the problem – is that second line not gratuitous?
Sop, thinking I am 69 and may be a bit out of date I asked the Guardian reading mother of two girls, 14 and 12. She agreed and will from what she said be writing to the Guardian Readers Editor herself she said,.
So what test can be sued in such a context. Let us remember that the Guardian does have an intelligent and sophisticated readership that it cannot offer to condescend to. It will, inevitably deal in the social and cultural natters of our modern world and thus be exposed to this very material. Can it be tested to achieve what I shall call “the chattering classes breakfast table test”? Yes, and fairly easily.
If material is MOSRT likely to be heard only in the men's locker room, at the bar in some other largely adult and robust location it needs to be examined for its suitability for the CHILDRENH of intelligent readers. If it does fall into this category the second stage is how much detail do we need to maintain credibility and be honest to the contributor? If we apply this to the Tachell response we can easily decide that line one is OK. It does not invoke unwanted ribaldry7, just amusement at a predicament that could be 'shared'. If by that edit Mr Tatchell was offended at the removal of his avowed orientation then a slight edit by agreement would suffice. He could have said “when having sex with my male partner, boy friend” or whatever set the right tone.
You see the problem is not juts that this might be the sort of joke told to an audience at the Apollo. It is that that audience paid, chose and know what to expect – the Guardian lies about, unguarded you might say.
I say less f and c, less gratuitous use of slovenly English and a bit more concern for the children of the chattering classes. Please? Blimey I sound like Mrs Whitehouse!

Sunday, 8 July 2012

Once more unto the the BBC breach dear friends....

Few will need reminding that on Saturday (7/7) evening the BBC managed to completely cock up their own flagship drama series - Shakespeare: The Hollow Crown. OK a Brit sharing in a Wimbledon triumph was/ is worth a bit of effort but they managed to tell people that the Shakespeare would not be shown while they ran Wimby on BBC2. And then change their little minds and run it an hour late without warning. Now, aware of their own stupidity they are having to do all sorts of bridge repair work. But when I wrote to complain I got a pretty dumb response that frankly missed the point. The BBC is my favourite media source even ahead of the Guardian (oh and The Eastern Daily Press) but really, they do need a big kick now and again.

The sequence here is in chronological order if anyone is interested:

I WROTE: 


Dear Sir,

Last night the BBC dumped the brilliant and hugely expensive Shakespeare drama series second part to show the Wimbledon finals. Well actually that's not what they did since they are happy to switch channels to maintain their Wimbledon coverage and could easily have switched it to BBC1. No what they did was keep Wimbledon running on BBC2 and let Casualty continue as usual on BBC1. That is an insult to their viewers and their licence fee payers who funded this drama series.
It was bad enough that they ruined the Jubilee River Pageant with a dumbed down and incompetent commentary but this is possibly worse. After all Wimbledon happens every year and often runs late. Have they no planners?
Be very afraid people - the man who sank the pageant with dumbed down and inept commentary has been given the job of controlling BBC entirely. Enjoy the Shakespeare when it finally screens - on his record it could be the last!

THEY REPLIED:


Dear Mr Woods
Thanks for contacting us.

We apologise that you were frustrated by the late changes to our TV schedules last night and for any confusion regarding the scheduling of ‘The Hollow Crown’.

We’re sending this reply to everyone who contacted us to explain what happened and to let you know how to watch ‘The Hollow Crown’ if you missed it.

As a result of rain and long matches earlier in the day, the men's and women's doubles finals played into the late evening. The men's doubles final also featured the first British male to win a Wimbledon men's doubles title in 76 years.

The BBC has a contractual commitment to show these matches on terrestrial television so the decision was taken to delay ‘The Hollow Crown’ by one hour on BBC Two and to switch the coverage to BBC One at 10pm.

As a result of the changes, a repeat of ‘The Hollow Crown’ has been scheduled for this evening on BBC4 at 9pm and the programme is also now available to watch on BBC iPlayer for the next 3 weeks.

We’d like to assure you that we've registered your complaint on our audience log. This is an internal report of audience feedback which we compile daily and is available for viewing by all our staff. This includes all programme makers and presenters, along with our senior management. It ensures that your points, along with all other comments we receive, are circulated and considered across the BBC.

Thanks again for contacting us.

Kind Regards
I BLASTED:


Dear Whomsoever,

The issue in the end was the failure to provide clear information and that was bad management. Your commentator at Wimbledon stated that The Hollow Crown would NOT NOW be shown this evening.

No one argues against the importance of the tennis match (although you have to accept the difference in audience for either item). What was appalling was that, knowing for many decades when the finals of Wimbledon would be you had not noted that, with the arrival of the roof, there was a potential collision with a  scheduled item (albeit a soap)  that could be moved but needed forethought. So someone decided that you could RISK your showpiece drama series on BBC2 on that particular Saturday night without any preparation. Are you mad? This was a car crash waiting to happen and it did. And it was an insult to actors, directors, writers and all those involved as well as us the viewing fee payers.

And then, instead of making sure your plan B was well known to all you let some muppet of a sports commentator run your channel for you. Barmy or what?

I am sorry people but this is of a one with choosing under prepared and under experienced people to commentate on and reduce the jubilee pageant. Where was a Dimbley (what a nice co-incidence that one did the coronation or did you miss that too?).

Frankly the disaster of Saturday night should tell you all you need to know about what has gone wrong with BBC management in the last decade or so. You need to ensure that the people who run the BBC understand the special position that is all you have to defend the BBC against the grab a shilling and run brigade. As a 55 years fan (exposure, not age) I have watched a decade of incompetence and mis-comprehension start a process that will wreck the BBC and deliver it into the hands of the Philistines who have even now wrecked and are wrecking our economy - the accountants, bean counters and lick spittle pooliticians. You have the chance to be better - take it.

Richard Woods

OH YES AND....


On 08/07/2012 12:10, bbc_complaints_website@bbc.co.uk wrote:

BBC Complaints
www.bbc.co.uk/complaints
NB This is sent from an outgoing account only which is not monitored. You cannot reply to this email address but if necessary please contact us via our webform quoting any case number we provided.
DUH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!